b.1979  Jilin, Jilin. d.2013

Li Xuan gave up her job as an art teacher and moved to Beijing alone so she could devote herself entirely to art. Indifferent herself to money and fame, she worried that money was corroding Chinese society, “tearing up conscience, morality and kindness”. As Husband and Wife (2010) was an experiment in a style that later became her hallmark: “painting” with torn-up banknotes and PhotoShop. The notes—from China and other nations—not only afforded her an extensive colour palette but literally represented a factor whose role in relationships is much larger than most people are willing to admit. In this collage, the softly torn, petal-like shapes are a reminder that money is also one of the chief causes of marital conflict. The faceless bride and groom could be any couple, their disagreements stitched up for the happy day. (The artist obtained suture thread from her father, a surgeon.)


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